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That’s true throughout film history, from Sunset Blvd., with its peek into the rotten heart of the film industry, to Scott Pilgrim Vs.
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And it’s there for everyone to see, but only if they learn how to look.įilms that attract cults often encourage a skepticism about the official story and the usual ways of seeing the world. It’s the ultimate haves-vs.-have-nots scenario from the heart of an era when the divide between the rich and the poor started to widen into a gulf. In John Carpenter’s They Live, Nada (Roddy Piper) finds sunglasses that reveal a conspiracy of aliens who subliminally suggest citizens consume and conform to keep the engines of business running-and to deplete Earth of its resources in the aliens’ self-interest. But this is just his first initiation into a hidden world beneath the surface of the Los Angeles he thought he knew.
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In Repo Man, Otto (Emilio Estevez) gets initiated into the secret world of repo men, who have their own code and way of looking at the world. The aliens have walked among us ever since, invisible to those who didn’t know to look, but seen by intrepid non-conformists like Buckaroo and his pals. Wells’ War Of The Worlds for reports of an actual alien invasion had the right idea all along.
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In Buckaroo Banzai, for instance, viewers learn that the people who took Orson Welles’ Halloween radio dramatization of H.G. It probably isn’t a coincidence that so many cult films concern themselves with secret histories and hidden knowledge.
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Being a fan of a cult movie means believing it suggests a lot, that the experience of watching (and endlessly re-watching) a favorite movie offers insights beyond those of ordinary movie-watching experiences. For a fan of Buckaroo Banzai, finding someone who can trade in-jokes, quotes, and references-in 1984 or in 2013-means finding someone who likely shares a sensibility and a way of looking at the world, at least as far as the ability to smile knowingly at the word “monkey-boy” suggests such a thing. One of the great pleasures of any film cult is the feeling of being initiated into secret knowledge that isn’t for mainstream consumption. They will, however, get drawn a little deeper into the film’s world. No matter how many times viewers watch Buckaroo Banzai, they’ll never find out why that watermelon is there. First-time viewers won’t fully get the watermelon joke, the punchline being that there is no punchline. Reno replies, “I’ll tell you later.” But he doesn’t, at least not onscreen. “Why is there a watermelon there?” New Jersey asks. In the thick of the action, New Jersey (Jeff Goldblum) and Reno Nevada (Pepe Sema)-two members of Buckaroo’s motley crew of a crime-fighting superteam/crowd-pleasing rock band, The Hong Kong Cavaliers-pass through a room filled with machines and also a single watermelon. In fact, some gags seemed designed not to pay off the first time around.
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The Adventures Of Buckaroo Banzai Across The 8th Dimension demands viewers play a constant game of catch-up, particularly those seeing it for the first time.